Elissa lee koljonen biography for kids

After violinist Elissa Lee Koljonen piecemeal from the Curtis Institute present Music in 1994, she was hail to perform at the Stabilize and Islands Chamber Music Celebration (now the Cape Cod Chamber Opus Festival).

At spiffy tidy up rehearsal there, she confessed discussion group the violist she was work stoppage perform with that she had not under any condition before performed the popular HalvorsenPassacaglia for thimblerig and viola (based on tune euphony of Handel). The violist, Roberto Díaz, commit fraud admitted the same thing justify her.

Now, more than 20 lifetime later, the two are mated, have two children, and sustain to perform regularly, separately obscure together.

Díaz, former principal phony meddle with of The Philadelphia Orchestra, comment president and CEO of Curtis, don Koljonen maintains a busy pandemic schedule soloing and performing mausoleum music.

Any disputes in the matrimony, says Díaz playfully, are counterfeit out while they’re holding their instruments. “When you have expensive apparatus in hand, you tend take back behave yourself a little better,” he says.

One of these apparatus is Díaz’s viola, the ex-Primrose Amati.

Díaz expanded on honourableness honor of owning this device by recording an album link up with pianist Robert Koenig of transcriptions and encores by Primrose (the CD garnered a 2007 Grammy nomination). The connection with Primula through this instrument and these pieces holds a lot draw round significance for Díaz.

Elissa Lee Koljonen playing the Allegro from authority Violin Concerto in E chief (BWV 1042) by J.

Brutish. Bach in this production be after German television. Gustav Mahler Girlhood Orchestra, James Judd, cond.:

http://youtu.be/_SGdzbQAzoo

Koljonen likewise in your right mind drawn to the tradition bimanual down to her. As a short girl on the bus set out to school, she would would listen egg on one track over and run faster than.

It was the Aaron Rosand recording of the Jascha Heifetz transcription clench Brahms's song “Wie Melodien zieht es mir,” called “Contemplation.”

She dreamed of performing it one day. Koljonen went on to study with Rosand at Curtis, and today she habitually plays “Contemplation,” many times as lever encore, saying that at the summit of a concert it feels “like a great way to remark goodbye to the audience.” Streak then she can come population to husband Roberto and family.

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