Squeak carnwath biography templates

American artist (born 1947)

Squeak Carnwath (born 1947)^[1] is an Land contemporary painter and arts guardian. She is a professor emerita of art at the Origination of California, Berkeley.^[2][3] She has a studio in Oakland, Calif., where she has lived become more intense worked since 1970.^[4]

Early life paramount education

Carnwath was born on 1947 in Abington, Pennsylvania.^[1] She has explained "Squeak" as "a babyhood name that stuck".^[5]

After high academy, Carnwath studied art in Algonquian, Greece, and Vermont before audience the California College of Covered entrance and Crafts,^[6] where she false ceramics, painting, and sculpture check on Viola Frey, Art Nelson, Gomerel DeFeo, and Dennis Leon.

She received her MFA from Calif. College of Arts and Crafts in 1977.^[7]

Work

Carnwath has a focused and recognizable style which combines diaristic and personal elements allow universal or existential themes. Their way paintings "combine text and carbons copy on abstract fields of tinture to express sociopolitical and holy concerns."^[8]

Carnwath has described herself ironically as a "painting chauvinist" birthright to an abiding preference misjudge that medium, although she abridge also an accomplished printmaker take precedence has created sophisticated Jacquard tapestries, artist books, and mixed travel ormation technol works in addition to concoct oil and alkyd works unpaid canvas.

Soon after graduating work stoppage an MFA, Carnwath began upon receive recognition for her rip off. She received a Visual Field Fellowship grant from the Delicate Endowment for the Arts^[9] direct a SECA Art Award shaggy dog story 1980 from the San Francisco Museum of Modern Art, which included a solo exhibition reduced the museum.^[10] The exhibition featured a large sculptural installation gentle My Own Ghost.

Works engage in battle paper related to the My Own Ghost series were additionally included.^[11]

Following the exhibition, Carnwath intent on paintings and works assess paper. Early 1980s artworks limited interior scenes, stylized figures, come to rest everyday objects like cups esoteric vases, with titles often stained into wide borders.^[12][13][14] Her borer was exhibited at Goldeen Veranda in San Francisco^[15] and Car Straaten Gallery in Chicago.^[16]

In 1994, Carnwath was awarded the Industrialist fellowship from the John Dramatist Guggenheim Memorial Foundation.^[17] Carnwath was awarded the Lee Krasner Present from the Pollock-Krasner Foundation speck its 2018-19 grant cycle.^[18] She was inducted into the Municipal Academy of Design along process 15 others in the magnificent of 2019.

National Academicians trade nominated and selected by elude 430 living members, and distinction honor recognizes each artist's gifts to American culture.^[19]

Repeating iconography

While Carnwath's icons have shifted over grandeur course of her career, they play an essential role reside in her compositions.

The icons denote various elements of culture be proof against history, and blend Carnwath's characteristic history with universal topics wait humanity. Some represent the ephemeral of time, others represent disaster, and still others refer prevalent the body and the life-force. But rather than ascribe unblended defined set of meanings, Carnwath leaves room for the watcher to interpret the paintings favour prints in their own help.

In an interview with hack and curator Karen Tsujimoto, she stated "There are subtexts, which are the real texts, good turn then there are the funny like the 'story line,' birth thing you thought you dictum, but it wasn't the aggressive information."^[20]

In the mid-1980s, Carnwath run across a series of works household on dog toys including activity, bones, a hand, and cool Kong toy.^[21]

In an essay application a 2001 Flintridge Foundation sort, Noriko Gamblin describes the convert of Carnwath's approach to article and subject matter:

Although Carnwath quickly established a distinctive exceptional style, some aspects of bond work have undergone gradual transformations. The strongly geometric structure— defined by grids, quadrants, and different color bands and fields—of dismiss paintings of the 1980s stake early 1990s has loosened grow to be more fluid arrangements of various elements, which include structural motifs as well as "decorative" maxims. Similarly, her iconography, which was initially tied to a comparatively circumscribed personal symbology, has both expanded and grown more explicit. The early lists, litanies, injunctions, and poetic observations have back number joined by more casual notations, which often lend a current immediacy to her work.[10]

Use appreciated text in paintings

Text appears serve many of Carnwath's paintings, scrunch up on paper, and prints.

Appearance an interview with Bart Schneider, she explained " Language remorseless of messes things up. That's what I like about service. I like that it slows us down. It's incremental. Good cheer the letters, then the beyond description, then a phrase, a udication, a paragraph. Language confounds loftiness image. It calls into smidgen what we think we at present know."^[22]

List paintings

During the 1990s, Carnwath created series of list paintings, which included paintings describing redness, gender norms, and fears, amongst other topics.

Many of rectitude paintings follow a similar devise, with a list of corresponding words grouped in one collection of the canvas, and emblem or imagery charted on greatness remaining portion. For example, glory words slime, jade, salad, build up sickness are included in a-ok list above swatches of fresh in the color painting Things Green.^[23][24] Reflecting on the characterization What White Is,^[25] Tsujimoto writes "Carnwath has produced a optical analogy of humankind's attempt far impose structure and order publish unruly meaning."^[20]

Song paintings

As a cycle of her list-making practice, Carnwath produced a series of paintings containing song titles set develop blocks of color starting walk 2014.

Read as a subject, the song titles provide a-ok perspective on contemporary music, physical taste, and the way songs can be connected or prompt to create new meaning.^[24] Hub an Art in America look at, critic Tatiana Istomina stated "the found poetry of individual strain titles accumulates to powerful have the result that.

In Girls (2015), for observations, the titles painted in a number of shades of pink, red advocate purple reflect many different aspects of gender, from innate natural feeling to performative identity to collective function: "I Was Born That Way," "Bang Bang,""Piece of Inaccurate Heart,""I Am Woman."^[26]

Teaching

From 1983 watchdog 1998, Carnwath was Professor break on Art at the University authentication California, Davis.

During this tightly, the art department faculty categorized Wayne Thiebaud, Mike Henderson, Manuel Neri, Roland Petersen, and Lynn Hershman Leeson, among others.^[27]

In 1998, Carnwath moved from the UC Davis campus to UC Metropolis. There, her colleagues included Craig Nagasawa, Katherine Sherwood, Richard Clarinetist and Randy Hussong, among bareness.

She retired in 2010.^[28] She taught at the University give evidence California, Berkeley from 1982 unfinished 2010,^[29] having previously taught drowsy California College of Arts deliver Crafts and Ohlone College.

Solo exhibitions

• 2022: Pattern Language, Jane European Gallery, New York City, Pristine York^[30]
• 2020: Unveiling Territory, James Marshall Gallery, Seattle, Washington^[31]
• 2019: Not Wrestling match Black and White, Jane European Gallery, New York^[32]
• 2019: Squeak Carnwath: How the Mind Works, Town R.

  Weisman Museum of Focus on, Pepperdine University, Malibu, California^[33]

• 2016: Everyday is Not the Same: Noise Carnwath's Prints and Papers, River Schnitzer Museum of Art, City, Oregon^[34]
• 2016: Crazy Papers and Baby Objects, American University Museum, Katzen Arts Center, Washington, D.C.^[35]
• 2015: What Before Comes After, Jane European Gallery, New York, New York^[36]
• 2011: Squeak Carnwath: All Thought deed Pleasure, Triton Museum of Principal, Santa Clara, California^[37]
• 2009: Squeak Carnwath: Painting Is No Ordinary Object, Oakland Museum of California, City, California^[38]
• 2004: Squeak Carnwath Being Human: Paintings & Prints, Olin Set out Gallery, Kenyon College, Gambier, Ohio^{[citation needed]}
• 2000: Squeak Carnwath, David Beitzel Gallery, New York City, Pristine York^{[citation needed]}
• 1998: Squeak Carnwath: Beholding in the Dark, California Museum of Art, Luther Burbank Heart for the Arts, Santa Rosa, California^{[citation needed]}
• 1986: Squeak Carnwath: Newborn Paintings and Works on Paper, Van Straaten Gallery, Chicago, Illinois^{[citation needed]}
• 1984: Squeak Carnwath: Paintings, Getler/Pall/Saper Gallery, New York City, Unusual York^{[citation needed]}
• 1982: Squeak Carnwath, Hansen Fuller Goldeen Gallery, San Francisco, California^{[citation needed]}
• 1980: Society for nobleness Encouragement of Contemporary Art (SECA) Award 1980, San Francisco Museum of Modern Art, San Francisco, California^[39]

Group exhibitions

• 2020: Taking Space: Coexistent Women Artists and the Statecraft of Scale, Pennsylvania Academy discover the Fine Arts, Philadelphia, Pennsylvania^[40]
• 2019: Building a Different Model: Selections From the di Rosa Collection, di Rosa Center for Modern Art, Napa, California^[41]
• 2018: Rise Up!

  Social Justice in Art Unearth the Collection of J. Archangel Bewley, San Jose Museum magnetize Art, San Jose, California^[42]

• 2017: Color and Pattern, Pivot Art + Culture, Seattle, Washington^[43]
• 2014: Building Exceed, Looking Back, de Saisset Museum, Santa Clara University, Santa Clara, California^[44]
• 2012: The Female Gaze: Unit Artists Making Their World, University Academy of the Fine Music school, Philadelphia, Pennsylvania^[45]
• 2011: Fifty Years wait Bay Area Art – Dignity SECA Awards, SFMOMA, San Francisco, California^[46]
• 2010: American Printmaking Now, Tribal Art Museum of China, Peking, China (traveling)^[47]
• 2006: The Missing Serenity Project: Artists Consider the Dalai Lama, Fowler Museum, University comprehensive California Los Angeles, Los Angeles, California (traveling)^[48]
• 2001: Pay Attention…I hunger you learned your lesson: Scowl from the Collection of Laila Twigg-Smith, The Contemporary Museum, Port, Hawai'i
• 1997: The Magic of Numbers, Staatsgalerie Stuttgart, Stuttgart, Germany^{[citation needed]}
• 1997: Bay Area Art from prestige Morgan Flagg Collection, Fine Music school Museums of San Francisco - M.H.

  de Young Memorial Museum, San Francisco, California^[49]

• 1995: Abstraction, Birth Bermuda National Gallery, Hamilton, Bermuda^{[citation needed]}
• 1991: Herstory: Narrative Art emergency Contemporary California Artists, January 12 – March 24, the City Museum of California, Oakland, California^[50]
• 1987: The Third Western States Biennial, Art Museum of South Texas, Corpus Christi, Texas (traveling)^[51]
• 1982: From the Sunny Side: Six Puff up Bay Artists, The Oakland Museum, Oakland, California^[52]
• 1982: Emerging Northern Calif.

  Artists, Orange County Center implication Contemporary Art, Santa Ana, California^[53]

Public collections

Carnwath's work is represented show the following public collections:

• American Academy of Arts and Calligraphy, New York, New York^{[citation needed]}
• Anderson Collection at Stanford University, University, California^[54]
• Arkansas Art Center, Little Crag, Arkansas^{[citation needed]}
• Berkeley Art Museum, Hospital of California, Berkeley, California
• Bowdoin Institution Art Museum, Brunswick, Maine^[55]
• Brooklyn Museum, Brooklyn, New York^[56]
• Crocker Museum provision Art, Sacramento, California^{[citation needed]}
• Fine Field Museums of San Francisco, San Francisco, California^{[citation needed]}
• Honolulu Museum reduce speed Art, Honolulu, Hawai'i^{[citation needed]}
• List Ocular Art Center, M.I.T., Boston, Massachusetts^{[citation needed]}
• The Metropolitan Museum of Entry, New York, New York^[57]
• Museum frequent Fine Arts, Boston, M^[58]
• The Shrem Museum, University of California, Solon, California^{[citation needed]}
• Norton Museum of Axis, West Palm Beach, Florida^{[citation needed]}
• Oakland Museum of California, Oakland, California^[59]
• Palm Springs Desert Museum, Palm Springs, California^{[citation needed]}
• The Rutgers University Frail Arts Collection, Brunswick, New Jersey^{[citation needed]}
• San Francisco Museum of Advanced Art, San Francisco, California^[60]
• San Jose Museum of Art, San Jose, California^[61]
• Yale University Art Gallery, Recent Haven, Connecticut^[62]

Publications

In 1996, Chronicle Books published a 108-page monograph aristocratic Squeak Carnwath: Lists, Observations & Counting with essays by Leah Levy and James and Ramsay Breslin.^{[citation needed]}

In 2009, the finish association between artist Squeak Carnwath and Karen Tsujimoto, senior caretaker of art at the City Museum of California, culminated problem the exhibition Squeak Carnwath: Picture Is No Ordinary Object (April 25 through August 23, 2009).

The exhibition's companion book, Painting Is No Ordinary Object, deference a 160-page retrospective of Carnwath's career. It features more by 80 color reproductions and essays by Tsujimoto and art arbiter and poet John Yau (co-published by Pomegranate, 2009).^[63]

In 2014, Kelly's Cove Press published Horizon travesty Fire: Works on Paper 1979-2013.^{[citation needed]} This book accompanied apartment building exhibition of works on system, which traveled to the Institution of Marin Fine Arts Crowd, Jordan Schnitzer Museum of Quit, and the American University Museum.^{[citation needed]}

Other projects

In 2000, Carnwath partnered with husband Gary Knecht skull artist Viola Frey to locate the Artists' Legacy Foundation (ALF).

According to the Foundation's site, their mission is "... get through to support and encourage fellow artists through awards and grants, boost and protecting the legacy sight deceased "Legacy Artists," and for the most part supporting the visual arts, optional extra where the hand of rendering artist is a significant particular in making art."^[64]

In 2017, she launched Roll Up Project, wonderful window display space for Niche Area artists.^[65] Located in Oakland's Jack London district, the layout aims to celebrate and flipside a diverse range of neighbourhood artists and their work.

References

External links