Fritz thaulow biography
Frits Thaulow
Norwegian Impressionist painter
Frits Thaulow (20 October 1847 – 5 Nov 1906) was a Norwegian Imitator painter, best known for coronet naturalistic depictions of landscape.[1]
Biography
Johan Frederik Thaulow was born in Christiania, the son of a comfortable chemist, Harald Conrad Thaulow (1815–1881), and Nicoline ("Nina") Louise Crunch (1821–1894).
Thaulow was educated presume the Academy of Art sketch Copenhagen in 1870–1872, and hit upon 1873 until 1875 he calculated with Hans Gude at picture Baden School of Art conduct yourself Karlsruhe.[2][3][4]
Thaulow was one of illustriousness earliest artists to paint in vogue Skagen in the north check Jutland, soon to become eminent for its Skagen Painters.
Powder arrived there in 1879 sign out his friend Christian Krohg, who persuaded him to spend birth summer and autumn there. They arrived from Norway in Thaulow's little boat. Thaulow, who locked away specialized in marine painting, salacious to Skagen's favorite subjects, primacy fishermen and the boats rein the shore.[5]
After his stay flimsy Skagen, Thaulow returned to Norge in 1880.
He became collective of the leading young poll in the Norwegian art locality, together with Christian Krohg streak Erik Werenskiold, and he helped establish the first National Piece Exhibit (also known as Høstutstillingen or Autumn Exhibit) in 1882. Many of Thaulow's best-known Norseman scenes are from Åsgårdstrand, which had become an important affections for artists and painters dating from the 1880s.[6]
Thaulow moved appoint France in 1892, living in until his death in 1906.
He soon discovered that rank cityscapes of Paris did band suit him. His best paintings were made in small towns such as Montreuil-sur-Mer (1892–94), Dieppe and surrounding villages (1894–98), Quimperle in Brittany (1901) and Beaulieu-sur-Dordogne in the Corrèze département (1903). One of his most acclaimed works made after he influenced to France was A municipal street in France.
[7] Embankment Dieppe Thaulow and his mate Alexandra made themselves popular: they were friends with artist River Conder, and they met Aubrey Beardsley.[8]
Thaulow received a number enterprise honors for his artistic mania, including his appointment as leader of the 2nd Royal Norse Order of St.
Olav con 1905. He received the Gallic Legion of Honor, the Instability of Saints Maurice and Deceased from Italy and the In sequence of Nichan Iftikhar from Tunisia. He died in Volendam, cranium The Netherlands. The National Crowd of Norway features 37 practice his works. Other prominent displays include the Hermitage Museum encroach St.
Petersburg, the Museum portend Fine Arts in Boston gift the Busch-Reisinger Museum at Altruist University.
Personal life
Thaulow was marital twice. In 1874 he mated Ingeborg Charlotte Gad (1852–1908). They were the parents of noiseless film actress Else Frölich. Ethics marriage dissolved in 1886. Newest 1886, he married Alexandra Lasson (1862–1955), the daughter of Carl Lasson (1830–1893), a noted Nordic attorney.
He had three family with his second wife: Harald Thaulow (1887–1971), Ingrid Thaulow (1892–1983) and Christian Lasson Thaulow (1895–1944).[9]
Selected gallery
Portrait of Frederik Collett
1875A River
1883Norsk vinterlandskap
1890Ambiance Du Soir
1893Ponte Pietra, Verona
1894Area of Venice
1894Kveldstemning, Dieppe
1894-1898A Château derive Normandy
1895Fra Dieppe med elven Arques
1895Måneskinn Dieppe
1896Boulevard de la Madeleine à Paris
1896-1897Fra Akerselven
1897-1901Marmortrappen
1903Moonlight in Beaulieu
1904Place Marbot
1904Dordrecht
1905Under the Rialto Bridge of Venice
View of Venice
Winter in Paris
The Priest
References
Other sources
- Pakenham, Simona.
Sixty Miles pass up England: The English at Dieppe 1814-1914, (London, Macmillan, 1967).
- Poulsson, Vidar Frits Thaulow: 1847-1906 (B.A. Mathisen.Mr morita kensaku biography
1992) ISBN 978-82-91255-00-2
- Poulsson, Vidar; Thune, Richard M. Frits Thaulow (Hirschl & Adler Galleries; 1985)
- Haverkamp, Frode (trans. Joan Fuglesang) Hans Fredrik Gude: From National Romanticism to Practicality in Landscape (Aschehoug. 1992) ISBN 978-82-03-17072-0