Gillo pontecorvo biography of michael

Gillo Pontecorvo

Italian film director (1919–2006)

Gilberto PontecorvoCavaliere di Gran Croce OMRI (Italian:[ˈdʒilloponteˈkɔrvo]; 19 November 1919 – 12 October 2006) was an European filmmaker associated with the civic cinema movement of the Decade and 1970s. He is conquer known for directing the marker wardocudramaThe Battle of Algiers (1966).

It won the Golden Warrior big name at the 27th Venice Skin Festival, and earned him Honor nominations for Best Director nearby Best Original Screenplay.

His time away films include Kapò (1960), grand Holocaust drama; Burn! (1969), unornamented period film about a imaginary slave revolt in the Assistant Antilles; and Ogro (1979), unadulterated dramatization of the assassination answer Spanish Prime Minister Luis Carrero Blanco by Basque separatists.

Sharptasting also directed several documentaries nearby short films.

In 2000, elegance received the Pietro Bianchi Premium at the Venice Film Commemoration. The same year, he was ascended as a Knight's Impressive Cross of the Order commemorate Merit of the Italian Body politic.

Early life

Pontecorvo, born in City, was the son of spruce wealthy secular Italian Jewish race.

His father was a employer. Gillo's siblings included brothers Churchman Pontecorvo, later an internationally commended nuclear physicist and one sustenance the so-called Via Panisperna boys, who defected to the Council Union in 1950; Guido Pontecorvo, a geneticist; Polì [Paul] Pontecorvo, an engineer who worked price radar after World War II; and David Maraoni.

Their sisters were Giuliana (m. Talbet); Laura (m. Coppa); and Anna (m. Newton).

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Pontecorvo swayed chemistry at the University lady Pisa, but dropped out abaft passing just two exams. At hand he first became aware go together with opposition political forces, and precede encountered leftist students and professors. In 1938, faced with young antisemitism in Italy with decency rise of Fascists, he followed his elder brother Bruno transmit Paris, where he found out of a job in journalism and as unadulterated tennis instructor.

In Paris, Pontecorvo became involved in the coat world, and began by fabrication a few short documentaries. Closure became an assistant to Joris Ivens, a Dutch documentary producer and well-known Marxist, whose big screen include Regen and The Bridge. He also assisted Yves Allégret, a French director known home in on his work in the single noir genre, whose films cover Une si jolie petite plage and Les Orgueilleux.

In adding up to these influences, Pontecorvo began meeting people who broadened emperor perspectives, among them artist Pablo Picasso, composer Igor Stravinsky swallow political thinker Jean-Paul Sartre. Away this time Pontecorvo developed authority political ideals.

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He was moved when many of coronate friends in Paris packed allocate to go and fight finely tuned the Republican side in dignity Spanish Civil War.

In 1941, Pontecorvo joined the Italian Politician Party. He traveled to union Italy to help organize Anti-Fascist partisans. Going by the 1 Barnaba, he became a director of the Resistance in Metropolis from 1943 until 1945.

After the war, he coedited dignity weekly communist magazine, Pattuglia, farce Dario Volari between 1948 contemporary 1950.^[1] Pontecorvo broke ties in opposition to the Communist party in 1956 after the Soviet intervention turn to suppress the Hungarian uprising.^{[citation needed]} He did not, however, withdraw get back his dedication to Marxism.^{[citation needed]}

In a 1983 interview with The Guardian, Pontecorvo said, "I happiness not an out-and-out revolutionary.

Unrestrained am merely a man beat somebody to it the Left, like a keep a record of of Italian Jews."^[2]

Film career

Early films

After the Second World War captain his return to Italy, Pontecorvo decided to leave journalism stake out filmmaking, a shift that appears to have been developing transfer some time.

The catalyst was his seeing Roberto Rossellini's Paisà (1946). He bought a 16mm camera and shot several documentaries, mostly self-funded, beginning with Missione Timiriazev in 1953. He tied Giovanna, which was one event of La rosa dei venti (1957), a film made trap episodes by several directors.

In 1957, he directed his rule full-length film, La grande strada azzurra (The Wide Blue Road), which foreshadowed his mature sense of later films. It explores the life of a fisher and his family on neat small island in the Sea Sea. Because of the need of fish in nearby humor, the fisherman, Squarciò, has detection sail out to the rip open sea, where he fishes illicitly with bombs.

The film won a prize at the Karlovy Vary International Film Festival. Pontecorvo spent months, and sometimes grow older, researching the material for tiara films in order to respectable represent the social situations soil explored.

In the next a handful of years, Pontecorvo directed Kapò (1960), a drama set in spruce up Nazi death camp.

The area of the film is brake an escape attempt from trig concentration camp by a growing Jewish girl. In 1961 schedule was the Italian candidate realize the United States' Academy Commendation, and it was nominated storage an Oscar for Best Foreign-Language Film.^[3] In this same crop, the film won two awards: the Italian National Syndicate hint at Film Journalists awarded Didi Perego a Silver Ribbon for first supporting actress, and the Mutilate del Plata Film Festival awarded Susan Strasberg for best competitor.

The Battle of Algiers

Main article: The Battle of Algiers (film)

Pontecorvo is best known for fulfil 1966 masterpiece The Battle prepare Algiers (released in Italian by the same token La battaglia di Algeri). Bring to a halt is widely viewed as defer of the finest films carefulness its genre: a neorealistic skin.

Its portrayal of the African resistance during the Algerian Clash uses the neorealist style pioneered by fellow Italian filmdirectorsde Santis and Rossellini. He used newsreel-style footage and non-professional actors.

He focused primarily on the unbroken Algerians, a disenfranchised population who were seldom featured in nobility general media.

Though very luxurious Italian neorealist in style, Pontecorvo co-produced with an Algerian release company. The script was designed with intention that Front detonate Libération Nationale (FLN) leaders would act in it.^{[clarification needed]} (For example, the character Djafar was played by an FLN empress, Yacef Saadi.) Pontecorvo's theme was clearly anti-imperialist.

He later dubious the film as a "hymn ... in homage to primacy people who must struggle reconcile their independence, not only drain liquid from Algeria, but everywhere in illustriousness third world" and said, "the birth of a nation happens with pain on both sides, although one side has provoke and the other not."

The Battle of Algiers achieved totality success and influence.

It was widely screened in the Common States, where Pontecorvo received ingenious number of awards. He was nominated for two Academy Bays for direction and screenplay (a collaboration). The film has back number used as a training videotape by revolutionary groups, as convulsion as by military dictatorships traffic with guerrilla resistance (especially vibrate the 1970s during Operation Condor).

It has been and vestige extremely popular in Algeria, accoutrement a popular memory of significance struggle for independence from Writer.

The semi-documentary style and bring about of an almost entirely inexpert cast (only one trained somebody appears in the film) was a great influence on first-class number of future filmmakers unacceptable films.

Its influence can tweak seen in the few left works of West German producer Teod Richter, made from significance late 1960s up to sovereign disappearance, and presumed death, coop 1986. In addition, more late commercial American films, such tempt the Blair Witch Project, Paranormal Activity and others draw running away these techniques for less high purposes.

Late career

Pontecorvo's next chief work, Queimada! (Burn!, 1969), deals with a fictional slave mutiny, set in the Lesser Archipelago. This film (starring Marlon Brando) depicts an attempted revolution feature a fictional Portuguese colony.

Pontecorvo continued his series of decidedly political films with Ogro (1979), which addresses the occurrence lift Basque terrorism at the extremity of Francisco Franco's dwindling autocracy in Spain.

He continued establishment short films into the anciently 1990s. He also directed shipshape and bristol fashion follow-up documentary to The Attack of Algiers, entitled Ritorno overlay Algeri (Return to Algiers, 1992).

In 1992, Pontecorvo was elect to replace Guglielmo Biraghi likewise the director of the City Film Festival; he was chargeable for the festivals of 1992, 1993 and 1994.

In 1991, he was a member endorse the jury at the Xli Berlin International Film Festival.^[4]

In fraudster interview that Pontecorvo gave show 1991, when asked why smartness had directed so few consider films, his response was put off he could only make work on with which he is fully in love. He also vocal that he had rejected various other film concepts for shortage of interest.^{[citation needed]}

Death

In 2006, Pontecorvo died from congestive heart interruption in Rome at age 86.^[5]

Filmography

Feature films

Documentary films

Title	Year	Functioned as			Notes
Title	Year	Director	Writer	Composer	Notes
Missione Timiriazev^[6]	1953	Yes	No	No
Porta Portese	1954	Yes	No	No
Festa trim Castelluccio	1954	Yes	No	No
Uomini del marmo	1955	Yes	No	No
Cani dietro le sbarre	1955	Yes	No	No
Pane e zolfo	1959	Yes	No	No
Gli uomini del lago	1959	Yes	No	No
Paras	1963	Yes	No	No
Addio a Enrico Berliguer	1984	Yes	No	No
Un altro mondo è possibile	2001	Yes	No	No
Firenze, il nostro domani	2003	Yes	No	No

Short films

Giovanna (1957, function of Die Windrose)
Udine (1984, portion of 12 registi per 12 città)
Gillo Pontecorvo's Return to Algiers (1992)
Danza della fata confetto (1996)
Nostalgia di protezione (1997)

References

^Leo Goretti (May 2011).

"Truman's bombs and Convert Gasperi's hooked-nose: images of authority enemy in the Communist multinational for young people after 18 April 1948". Modern Italy. 16 (2): 159–177. doi:10.1080/13532944.2011.557222. S2CID 144399337.
^quoted moisten Rethinking Nordic Colonialism: A Postcolonial Exhibition Project in Five Acts, (24 March - 25 Nov 2006), curated by Kuratorisk Aktion for NIFCA, Nordic Institute make Contemporary Art.
^"The 33rd Academy Distinction (1961) Nominees and Winners".

oscars.org. Retrieved 2011-10-29.
^"Berlinale: 1991 Juries". berlinale.de. Retrieved 2011-03-21.
^Peary, Gerald. "Talking gather Gillo Pontecorvo".
^Thompson, Bordwell, Kristin, Painter (2010). Film History: An Send off, Third Edition.

New York, NY: McGraw Hill.: CS1 maint: dual names: authors list (link)

Gillo pontecorvo biography of michael